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Jean Coulthard (1908-2000) 

Die Lieder

Three Ancient Memories of Greece

  1. Before the statue of Endymion (K. Kavafis)

  2. What rapture could I take from song (Sappho)

  3. Long ago (K. Kavafis)

     

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Konstantinos Kavafis

Sappho

Biography in The Canadian Encycklopedia

Jean Coulthard(1908–2000) war eine kanadische Komponistin. Im Jahr 1942 nahm sie bei Schönberg „criticism lessons“. Nach dem ersten musikalischen Unterricht bei ihrer Mutter, der Pianistin und Organistin Jean Robinson Coulthard, und Studien am Konservatorium von Toron-to studierte Jean Coulthard 1928–1930 dank eines Stipendiums am Royal College of Music in London (Vereinigtes Königreich) bei Ralph Vaughan Williams (Komposition) und Kathleen Long (Klavier). Ab Ende der 1930er Jahre studierte sie bei KomponistInnen wie Aaron Copland, Arthur Benjamin, Arnold Schönberg (1942), Darius Milhaud (1942), Béla Bartók (1944), Bernard Wagenaar, Nadia Boulanger(1955) und Gordon Jacob(1965–1966).2Von 1947 bis 1973 unterrichtete sie Musiktheorie am 1947 neu gebildeten Department of Music an der University of British Columbia in Vancouver.  In ihrer Heimat war Coulthard relativ erfolgreich, was vielleicht darauf zurückzuführen ist, dass sie in ihren Anfangsjahren fast die einzige KomponistIn in British Columbia war, weshalb ihre Werke regelmäßig aufgeführt und verlegt wurden. Coulthards relativ umfangreiches Œuvre umfasst mehr als 350 Kompositionen für verschiedenste Besetzungen und Gattungen und wird an der University of British Columbia aufbewahrt. GlennColton zufolge ist in einigen von Coulthards späteren Werkenihr erweitertes tonales Vokabular durch Tritonus-Beziehungen widergespiegelt, die einen Einfluss Bartóksund Schönbergs nahelegen. Generell herrschen kontrapunktische Techniken vor.

Den Spagat zwischen Familienverpflichtungen als Ehefrau und Mutter bzw. Beruf –für Coulthard laut ihrer Tochter wohl ein Balanceakt –hatte sie gutim Griff: „she paralleled it all beautifully with her very large other life“. In einem relativ ausführlichen Lebenslauf, den Coulthard 1961 für ein von Erich Hermann Müller von Asow (1892–1964) Anfang der 1960er Jahre geplantes Komponistinnenlexikon verfasste, erwähnt sie Schönberg interessanterweise nicht als einen ihrer Lehrer. Jedoch war sein Unterricht möglicherweise dennoch wegweisend für Coulthard, wie folgende überlieferte Episode nahelegt: In einer ihrer letzten Stunden bei Schönberg gestand sie ihm, dodekaphon zu komponieren, aber mit den Ergebnissen unzufrieden zu sein. Dieser riet ihr daraufhin, ihre eigene Ausdrucksweise zu entwickeln. Schönberg hat anscheinend von Coulthards Musik viel gehalten, da er sich für die Publikation ihrer Werkeeinsetzte und sie seinem Musikverlag empfahl. Er schenkte ihr darüber hinaus ein Exemplar der Studienpartitur seines vierten Streichquartetts op.37.12Nach Coulthards eigenen Worten beeinflusste sie von ihren vielen namhaften LehrerInnen Bernard Wagenaaram meisten.

(aus "Arnold Schönbergs Schülerinnen" S. 585-591)

Video-Kanal

Songs of the Haida Indians- Song for Fine Weather- Jean Coulthard, Jean
23:58

Songs of the Haida Indians- Song for Fine Weather- Jean Coulthard, Jean

It is my sincere and express wish that any financial compensation that may be my due from this presentation be instead directed towards all holders of copyright. Should a change in copyright status or holder render its removal necessary, I ask only for immediate notification prior to the filing of a claim with YouTube, and I will not hesitate to delete it as soon as possible. Mathilde Kralik von Meyrswalden (1857-1944) Piano Trio in F Major I. Feurig bewegt 0:00 II. Langsam, mit Ernst 8:13 III. Sehr schnell - attacca 15:05 IV. Rasch, energisch 17:24 Georgios Fragkos, piano Laura Balboa Garcia, violin Sloukia Loulaki, cello Mathilde Aloisia Kralik von Meyrswalden (1857 – 1944) was an Austrian composer. Kralik was the daughter of Bohemian glass industrialist Wilhelm Kralik von Meyrswalden (1807–1877) from Eleonorenhain. After the death of his first wife Anna Maria Pinhak (1814–1850), he married Louise Lobmeyr (1832–1905) on 28 May 1851. Mathilde was the fourth of five children from his second marriage to Louise née Lobmeyr. Her brother was Richard Kralik von Meyrswalden, the poet philosopher, historian and arts administrator. Kralik was born in Linz, and her first compositions were lyrical poems and hymns based on her brother's works. The family regularly had music in the house, as her father William played the violin and her mother Louise played piano. In this way the musically gifted children not only learned the milieu of classical chamber music, but also string orchestra furnished music of the time by Haydn, Mozart and Beethoven. Early on the parents recognized the musical gifts of their daughter, and the financial circumstances of her father allowed Mathilde the best music teachers of her time. Kralik took piano lessons from her mother, and later was a pupil of Anton Bruckner, Franz Krenn and Julius Epstein. She passed the 1876 entrance examination for the Conservatory of the Society of Friends of Music, and studied at the Conservatory from 1876 to 1878. She won the second prize for a Scherzo for piano quintet and received first prize for her thesis, Intermezzo from a suite. Kralik graduated from the conservatory with a diploma in composition and the Silver Society Medal. Kralik's works became popular in the concert scene of Austria. On 19 April 1894 and on 19 April 1895, her compositions were performed at the Brahms-Saal of the Musikverein place. In the 1898/99 season, the Quartet Duesberg presented her 1880 composed Piano Trio in F Major (1880). Josef Venantius von Wöss on 12 January 1900 hosted a concert in the Great Hall of the Musikverein where Matilda book The Baptism of Christ after a poem by Pope Leo XIII was presented. Her Christmas Cantata for solo, choir and orchestra was also staged. On 20 March 1908 in the Brahms-Saal, a concert included four songs and arias from her fairy-tale opera Blume and Weissblume. Mathilde was Honorary President of the Women's Choir Association Vienna, and a member of the Vienna Bach community, the Austrian Composers, the Association of Writers and Artists Club of Vienna and the Viennese Musicians. In October 1905, her mother Louise died at age 74. The death of her mother affected Kralik and her work stagnated for half a year. From 1912 onward she lived in their home alone until she took an apartment with Dr. Alice Scarlat (1882–1959) in Vienna. The opera Blume und Weissblume was presented in 1910 in Hagen, Westphalia, and in 1912 in Bielsko, and was popular not only because of these two performances, but also because of sensationalist coverage in the press. The former Capuchin friar Nicasius Schusser had written an opera Quo Vadis, in which he took 52 pages from Kralik's opera note for note. Mathilde responded in the press, but gave up legal action against Schusser. After World War I the popularity of Kralik's work declined, and she died 8 March 1944 in Vienna.
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